Exploring the Role of Para Site in Contemporary Art

“How to be Happy Together?” underscores Para Site’s dedication to exploring key social, political, and cultural themes. Founded in 1996, Para Site began as Hong Kong’s first self-organized, artist-run space, initially guided by a collective of local artists and curators. Over the years, its mission has shifted, especially during the pandemic, evolving into a think tank and curatorial platform that examines artistic expressions from Hong Kong and the greater Asia Pacific, situating these dialogues within a global framework.

Para Site’s director, Billy Tang, explained the transition from an artist-led organization to one focused on curatorial leadership as we toured the exhibit in anticipation of Hong Kong Art Week. “Curators act as custodians; Para Site serves as avenue for curators to help shape the rapidly changing art landscape of the city,” he noted, while also stressing the importance of fluid roles among artists and curators alike. “Our aim is to present new perspectives on curatorial practice.”

The Evolution of Para Site’s Physical Space

Para Site commenced its journey in a modest venue in Kennedy Town, subsequently relocating to a 150-square-meter space in Sheung Wan, and finally establishing its current position on the 11th and 22nd floors of a versatile industrial building in Quarry Bay. Tang pointed out that the name “Para Site” carries various interpretations. It can symbolize resilience and adaptability as an organism or represent an alternative art venue that eschews grand architectural designs. By continually adjusting to its environment, Para Site has managed to thrive as one of Asia’s longest-standing independent art spaces. The organization cultivates a connection between the art within and the surrounding urban landscape by keeping the windows on the 22nd floor intact, allowing for interactions between the two.

Despite its slightly obscured location, which may pose challenges for visibility and accessibility, this spatial ambiguity promotes inventive exhibition practices and novel forms of audience engagement. Tang remarked, “We are constantly strategizing ways to attract visitors here. This unique positioning provides us with a flexibility that can lead to increased impact, whether that means giving new opportunities to artists or enhancing community involvement.” Educating the public is a cornerstone of Para Site’s mission, enabling a space for artistic creation and sharing innovative approaches with cultural professionals, artists, and audiences alike.

Strengthening Patron Support and Community Engagement

Although Para Site was one of the first arts organizations in Hong Kong to receive public funding, the majority of its financial sustenance now comes from a network of committed local and international benefactors. A glance at the acknowledgments at the entrance reveals substantial support from notable global artists and influential galleries. Tang shared that local patronage has also blossomed, fueled by an upcoming generation of art aficionados eager to contribute to the scene. “What’s remarkable is that we aren’t situated in a lavish or iconic structure,” he noted, emphasizing the rich legacy of philanthropy fostering Para Site’s growth alongside the community.

The organization’s dedication to addressing patronage ties closely to its fellowship initiative, which encourages supporters to assist fellow artistic practitioners, including curators, artists, and cultural producers. This commitment underlines the importance of backing those in the creative field at various stages of their careers.

Artistic Expression and the Exhibition’s Core Themes

Para Site’s international reputation has been consistently elevated through its cutting-edge exhibitions that delve into the social, political, and cultural nuances of Hong Kong while offering a platform for artists and curators at crucial junctures. A highlight during Art Basel Hong Kong was the exhibition “How to be Happy Together?,” which reflects the resilience of Hong Kong’s artistic community as they navigate the challenges of the city’s tumultuous history. The exhibition features over twenty artists whose backgrounds and works resonate with diasporic narratives, drawing inspiration from Wong Kar Wai’s film, Happy Together. With its backdrop set in Buenos Aires, the film encapsulates the complex intersections of geography that resonate with Hong Kong’s identity as a space “between east and west” and “between tradition and modernity.”

Tang’s personal journey to Para Site is notable, as he moved from London back to Hong Kong, a place deeply woven into his family history. With his parents having arrived as refugees from Vietnam, he expressed a profound connection to the themes explored in the exhibition. “Migration patterns from Hong Kong and China take many forms,” he noted, reflecting on a rich tapestry of experiences that offer poetic insights into collective history.

Bridging Cultures Through Artistic Collaboration

In a time of division, Para Site seeks to blur the lines between different artistic practices. The exhibition showcases artists who engage in unconventional collaborations, utilizing technology to connect across vast distances. With Tang at the helm, Para Site has embraced traditional group exhibitions while also probing the more profound meaning of togetherness, moving beyond simplistic categorizations. The pandemic has catalyzed collaborative efforts, exemplified by artists embracing collective approaches rather than singular authorship. “Fostering resilience through mutual support has always been essential,” Tang concluded, noting Para Site’s foundation in collaboration.

“How to be Happy Together?” serves as an intergenerational exploration that prompts viewers to consider Hong Kong from diversified global angles. While continuing its commitment to emerging talent, Para Site has also dedicated itself to rediscovering mid-career artists and historical figures whose narratives are often overshadowed. This includes the self-taught artist Xiyadie, who boldly incorporates homoerotic themes into traditional papercutting, and Luis Chan, a foundational figure in Hong Kong modernism whose blend of cultural influences has recently gained renewed attention.

The exhibition also uncovers lesser-known cultural links, such as the work of Chu Ming Silveira, a Chinese-Brazilian designer known for his iconic telephone booths, and Mimian Hsu, an artist weaving together her Taiwanese heritage with Costa Rican textile techniques.

Innovative Installations and Future Prospects

Another key installation showcased was “Take Turns” by Hong Kong artist Wing Po So, which draws on ancient Chinese medicinal traditions to explore the interplay between nature, the body, and materiality. This installation offers a profound commentary on life cycles through salvaged apothecary drawers, presenting a meditative space that intertwines art and science.

Beyond exhibitions, Para Site is set to curate the film program for Art Basel Hong Kong in 2025, providing a platform that will feature a diverse selection of videos by artists worldwide. Tang acknowledges the impact of moving images as accessible artworks that can bridge linguistic divides and offer immersive experiences.

As Tang observes the evolution of Hong Kong’s art landscape, he remains optimistic about the growth of creativity and community involvement. “Amid challenges, people are choosing to come back, recognizing the stability Hong Kong provides compared to other regions,” he reflected. This this resilience embodies the spirit of the city—and Para Site firmly stands as a testament to the dynamic artistic expressions emerging from Hong Kong.